These were presented to the client, along with other collateral items for feedback prior to finalising the design elements.
Feedback was good at this point. The museum liked the simplification of the design elements over previously seen samples. They appreciated that their current literature isn't overly focused. Seeing the benefits of paring back the message, they would be able to engage their main target audience; families and school groups.
Monday, 26 April 2010
Saturday, 24 April 2010
Pen Room - Collateral Items
The leaflet has gone through many revisions. I've been keen to use it as an opportunity to develop an overall style and concept that will be suited to all the collateral items.
Feedback from both the client, potential audience members and tutorial sessions has been influential. The design started off as too overly concerned with the heritage angle of the museum, without making the family target audience the focal point of the communication.
Reworking the large amount of copy on their current leaflet to more incisive and exciting paragraphs and bullet-points enabled a cleaner design. A sparing use of photography reiterated the family friendly elements of the museum.
Feedback from both the client, potential audience members and tutorial sessions has been influential. The design started off as too overly concerned with the heritage angle of the museum, without making the family target audience the focal point of the communication.
Reworking the large amount of copy on their current leaflet to more incisive and exciting paragraphs and bullet-points enabled a cleaner design. A sparing use of photography reiterated the family friendly elements of the museum.
Wednesday, 21 April 2010
Moseley Shoals - Flyer
Feedback from both the client and external sources was good.
The typographic version was generally chosen as it was thought to be clearer than the purely illustrative version and the beach graphic style was liked when surveying the target audience group.
Some of the comments included:
"Makes me think of Brighton. Hints well at what the group does but without over-explaining"
"Instantly recognisable as to what the whole group is about, what they do and the types of other activities that are on offer"
"...it depicts a very friendly group and would entice me to find out more/go along and see what's what"
The typographic version was generally chosen as it was thought to be clearer than the purely illustrative version and the beach graphic style was liked when surveying the target audience group.
Some of the comments included:
"Makes me think of Brighton. Hints well at what the group does but without over-explaining"
"Instantly recognisable as to what the whole group is about, what they do and the types of other activities that are on offer"
"...it depicts a very friendly group and would entice me to find out more/go along and see what's what"
Tuesday, 20 April 2010
Pen Room - Identity
Further refinement of the chosen logo following feedback from both the client and tutorial sessions.
The final logo successfully communicates the museum's industrial heritage through the use of contemporary typefaces of the period, whilst also stating function through a handwritten typeface. The adaptability of the concept will be useful to offer a cohesive identity across the range of collateral items.
The final logo successfully communicates the museum's industrial heritage through the use of contemporary typefaces of the period, whilst also stating function through a handwritten typeface. The adaptability of the concept will be useful to offer a cohesive identity across the range of collateral items.
Pen Room - Identity
The range of logos were shown within context across a range of collateral items. These were presented to the Museum for consideration.
Definitely a learning experience. The presentation itself went well and they liked the work and were happy to take one of the designs forward, but would change the way I present a range of logos in the future.
Definitely a learning experience. The presentation itself went well and they liked the work and were happy to take one of the designs forward, but would change the way I present a range of logos in the future.
Sunday, 18 April 2010
Pen Room - Logo
Friday, 16 April 2010
Moseley Shoals - Flyer
The publicity flyer for the group was problematic.
Whilst the current flyer included all the information anyone would need, it simply had too much and wasn't best suited to the occasions where it was being handed out - monthly pub crawls by the Moseley Shoals. The text had to be to the point and inviting enough for people to want to find out more, rather than wading through an A5 side of 9pt text (which people out and about in the pub on a Friday or Saturday night didn't).
The group also doesn't really have a specific USP. People tend to use the group for a variety of purposes, be this a serious swim, splash about, sitting in the pool to chat or even just coming along to the pub afterwards.
Finally, there wasn't a clearly defined target audience. Whilst it was aimed at gay people, this included ALL gay people, of any sex or age - an incredibly diverse range of people.
Because of this mixture of messages that needed to be put across within the design, I chose to use a simple typographic and illustrative concept that used text and/or illustrative icons giving a clear indication of the the wide range of potential reasons for joining, whilst also inviting the viewer to find out more (through the groups website). The tone for the piece needed to be fun and jovial, getting across the social nature of the group.
Whilst the current flyer included all the information anyone would need, it simply had too much and wasn't best suited to the occasions where it was being handed out - monthly pub crawls by the Moseley Shoals. The text had to be to the point and inviting enough for people to want to find out more, rather than wading through an A5 side of 9pt text (which people out and about in the pub on a Friday or Saturday night didn't).
The group also doesn't really have a specific USP. People tend to use the group for a variety of purposes, be this a serious swim, splash about, sitting in the pool to chat or even just coming along to the pub afterwards.
Finally, there wasn't a clearly defined target audience. Whilst it was aimed at gay people, this included ALL gay people, of any sex or age - an incredibly diverse range of people.
Because of this mixture of messages that needed to be put across within the design, I chose to use a simple typographic and illustrative concept that used text and/or illustrative icons giving a clear indication of the the wide range of potential reasons for joining, whilst also inviting the viewer to find out more (through the groups website). The tone for the piece needed to be fun and jovial, getting across the social nature of the group.
Thursday, 15 April 2010
Moseley Shoals - Logo
The chosen logo by the client group, shown here in its colour version and reversed out of solid.
This was pretty much the universal choice from the group, with only one of two people choosing the other designs. It was felt this offered an idea of movement in water, without being specific to an activity (i.e. swimming) and offered a more 'modern' image than the others.
Tuesday, 13 April 2010
Monday, 12 April 2010
Pen Room - Logo
After tutor feedback, back to the drawing board to some extent to look at some of the other directions I was going with the initial roughs. Looking at more organic, handwritten or hand drawn marks.
Thursday, 8 April 2010
Wednesday, 7 April 2010
Pen Room - Logo
The Pen Room currently uses a range of identities with different styles used at the point of entry, throughout the museum and on their marketing materials.
I was keen to create a cohesive brand identity that would be easily adapted to the various touchpoints, whilst also hopefully clarifying their purpose to potential visitors. Their current identity (through its various forms) offers a calligraphic rendering of the museum name along with a pen nib. I feel this is confusing as to their purpose. They're not a museum for calligraphy, or handwriting, but the industrial production of pen nibs - a viewpoint shared with the museum when discussing the purpose of the identity at the briefing stage.
I was keen to get this industrial heritage side across within the identity and move it away from the more specialist calligraphic rendering whilst still showing a pen nibs purpose.
Looking at period packing within the museum was a good influence, as were grotesque fonts of the late 1800's, which I felt spoke of the industrial heritage of the period whilst also appearing quite contemporary.
I was keen to create a cohesive brand identity that would be easily adapted to the various touchpoints, whilst also hopefully clarifying their purpose to potential visitors. Their current identity (through its various forms) offers a calligraphic rendering of the museum name along with a pen nib. I feel this is confusing as to their purpose. They're not a museum for calligraphy, or handwriting, but the industrial production of pen nibs - a viewpoint shared with the museum when discussing the purpose of the identity at the briefing stage.
I was keen to get this industrial heritage side across within the identity and move it away from the more specialist calligraphic rendering whilst still showing a pen nibs purpose.
Looking at period packing within the museum was a good influence, as were grotesque fonts of the late 1800's, which I felt spoke of the industrial heritage of the period whilst also appearing quite contemporary.
Monday, 5 April 2010
Moseley Shoals - Logo
Narrowing the logo design to a number of choices to present to the client group for feedback and selection. This final selection was made in relation to comments from external sources and tutor feedback. I was keen to have a range of options for the client, each with a slightly different feel or emphasis.
These were presented in colour to the client group for feedback and selection of a final design if possible.
These were presented in colour to the client group for feedback and selection of a final design if possible.
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